註冊時間: 2006/10/07 PM 9:50:53
文章: 1848
來自: 台中市
性別: 
|
喝太多 寫: Nop...品味，Fermate延長記號後變快的方式（3:31和7:03）...
稟喝爺，小的沒有品味；小的已經招了，偏見的來源是
http://www.youtube.com/watch?v=g2jHxEAios4
小克萊巴排練這個樂段時，解說他的想法（11:50起），以及雙簧管手12:42分起的評論...
基本上就是人云亦云（不過有Fassbaender和Domingo的附和就是了）。
喝太多 寫: 看了幾個版本，果然最後四個音符只有Kleiber撥弦演奏
小的也有點混過頭。
只消上網一查就知道，這不是Carlos的，甚至也不是Erich這位Kleiber的創舉。
.....One other thing of note about this recording （指 Erich Kleiber 1950年的貝多芬錄音）, again picked up first by the Gramophone reviewer, and then in an article by Edward Sackville-West, is the use of pizzicato in a section in the Allegretto of the 7th Symphony that might more often be heard arco. Here's the article which fills in the details, from May 1951, and available through Gramophone's excellent archive site, www.gramophone.net:
WHEN the Concertgebouw/Kleiber LP. disc of Beethoven's Seventh Symphony was issued I pointed out that, contrary to custom, the final string phrase in the Allegretto was played pizzicato instead of arco. Dr. Kleiber has since explained to me the reason for this procedure. It appears that when he was to give his first performance of the symphony, in Berlin, he consulted the MS of the score (which happens to be in Berlin) and noticed that over the passage in question the word arco was pencilled in, but not in the composer's own hand. This suggested to Dr. Kleiber that during the original rehearsal Beethoven, seated in the body of the hall, called out to the assistant conductor "I can't hear the strings there ! "—i.e. through the wind and horns which had entered, forte, with the concluding A minor chord. It is Dr. Kleiber's conjecture that at this point the conductor himself scribbled the word arco into the score, in order to dispose of the difficulty. This ingenious explanation ignores the obvious objection that if Beethoven, who was not easy to push aside, had intended the phrase to be played pizzicato he was not likely to allow a conductor to alter his scoring. It is possible that he found the emendation an improvement, although, if we rid ourselves of all the prejudice created by innumerable hearings of the passage played arco, we shall, I think, find the persistence of the pizzicato up to the end more logical. It seems, moreover, that in the nineteenth century some great conductors (notably Hans von Billow) adhered to Beethoven's own marking. Dr. Kleiber admitted to me that although Strauss had accepted his explanation he had been unable to induce most of his eminent confreres to change the usual reading. A correspondent, however, informs me that Otto Klemperer has for many years insisted on the pizzicato ending....
_________________
Getting so much better all the time...
|
|
登入
註冊
問答集
搜尋
![[hhh!!]](./images/smilies/dodo042.gif "哈哈哈")
![[salvo!!]](./images/smilies/dodo030.gif "拉炮")
